Professor Simon Mckeown

He/him
Disabled digital artist and educator
School of Arts & Creative Industries, Teesside University

Award category:

Visual Arts, Fashion and Design

As a disabled person, my schooling did not accommodate my injuries, negatively affecting my education and confidence. This isolating experience forced me to focus on creativity and resilience. Family, friends, and the DIY punk movement came to the rescue. I completed a degree in Fine Art, driven by two inspiring art teachers. I developed a keen interest in video and digital arts while volunteering with a children’s disability charity, which I loved.

A few years later, I entered the emerging computer graphics industry in London, which was exciting. I transitioned to computer games and became a senior art director for ‘Driver’, one of Britain’s most successful games, selling millions worldwide.

Currently, I innovate in the disability space. As a Professor of Art at Teesside University, I’ve spent 15 years creating high-profile collaborative works with disabled artists, such as in St Helens and Cork, Ireland. ‘Cork Ignite’ was an innovative disability-inclusive public art event that attracted over 7,000 attendees.

I’m passionate about disability heritage and have developed an international project, ‘Images of Disability’. This project analyses and publicises a collection of artworks related to impairment, collected by Hanz Würtz in Berlin. Würtz’s collection is significant for shifting from a medical to a cultural perspective on impairments, uniquely connecting art and disability beyond a mere cabinet of curiosities.

Additionally, I created ‘The Carrying of Passengers is Forbidden’ project, focusing on the history of disability mobility in the UK. With a dedicated volunteer team, we’ve uncovered lost vehicles, records, and stories, celebrating these iconic vehicles. This research led me to become the voluntary Director of the Invalid Carriage Register and to appear on TV shows like the BBC’s Antiques Road Trip to popularise this history.

I am disabled, having broken over 150 bones in my lifetime, and am currently learning to walk again after a serious accident in 2023. My life follows a non-normative path, and I follow my father’s advice to be instinctive. I am proud of my achievements and forever grateful for the support and belief of those I’ve worked with. My motivation is simply to change how disability is perceived.

Disability power is needed to reimagine art, history and culture with disabled people in the leading and central roles. Don’t hold us back. What we offer is immense. It is a great privilege to be nominated by the Shaw Trust! Thank you!

Q&A

Professor Simon Mckeown
My biggest and bestest advice is to dream – really imagine potentialities that are exciting to you. Don’t get sidetracked. Learn new skills to support these dreams and make friends and collaborate, volunteer, join in so that you develop a support network that later can enable you to achieve your goals, whether that’s in the arts, or in business or whatever. Be kind, be professional and get used to knock backs. Work well with a team and you will achieve more. Ultimately be brave, and make it fun!
Yes on both counts. I have created many creative works which have involved the disabled community. In all these works I have tried to make disability culture relevant to both the disabled and also mainstream audience, which historically saw no value in disability culture. This the field I have tried to innovate in. ‘Motion Disabled’ (2009) was the first non-medical motion capture study of disabled motion and it has been seen all over the world in over 100 exhibitions. My first work in this area was called ‘School’ (2000) which was a 3D animation based around a BSL sign language joke, which commented on the historic abuse suffered by Deaf people in education. This work was shown on Channel Four and Film Four in the UK. In later years, featuring disabled dancer and performer Professor Claire Cunningham, I created a 3D animated narrative which considered, love, relationships and power within a disability context. ‘All for Claire’ was showcased nationally by the BBC. ‘Ghosts’ was commissioned by the UK Governments 14-18 NOW commemoration of World War One. Here I drew attention to the over 15 million people impaired by the war and this work was showcased on Channel Four. My heritage work has had significant impact introducing the complex history of disabled motion to the UK public and beyond. My outreach work builds on the practical work of conversation working with many disabled volunteers to secure this forgotten heritage. Invalid Carriages as they are known have now been presented on BBC, ITV and Channel Four along with the BBC World Services to millions of viewers. In my work I have also reconnected these vehicles to disabled veterans via Forces TV. Finally academically I am revealing a lost archive of art and disability, one that was deemed worthless by the Nazis circa 1932-1936, collected in Berlin before World War 2. In all my work I seek to expose disability value and worth where it has been lost.
To be a disability advocate is sometimes difficult. Sometimes it feels like you are failing and that the voice you have has somehow become voiceless, empty and without power. That’s tough. My goal is to make sure, as best I can that this isn’t the case. There are some amazing examples of work and activities which are just amazing exemplars. I want to create more and bigger collaborative work. But I also think of the activities of my disabled friends such as Dr Paul Darke, Liz Carr and Mat Fraser, and I am reminded what a successful disabled world there is out there. I am also reminded how increasing successful it could be. It relies on the gate keepers, in all areas of society, including law, business, education and culture to significantly adapt and reimagine new potentials with disabled people. Unsung heroes need celebrating along with the disabled PhD students out there seeking to carve out new worlds with the support of wonderful friends and allies. I want disabled people to be enabled. Simple.
I love being with family and friends, and enjoy live music and great food. Good company goes a long way. The outdoors works for me – so walking and cycling helps me get a clear head.
Great exhibitions, the natural environment, great food, family and friends, my university, my football team ‘Boro’, cycling anywhere and everywhere and holidays! – however I would also say success in the work I am doing and working with the lovely and great people that involves. It matters to me a lot. Finally I have to say Ellen and my family who have brought me so much joy and who I love immensely!
Both! but a cat keeper!
Negative thoughts about diversity. We can’t solve the worlds problems if you like from binary positions.
Disabled people face substantial stereotyping which negatively impacts on all aspects of society unnecessarily. Excluding people costs society, and causes widespread harm. The benefits of including disabled people in all areas of society, and undertaking the policy endeavour to change culture and practice and physical work to change the built environment, is critical. As society becomes more diverse disabled people can offer so much in all aspects of culture. Finally as we react to challenges such as global warming, we need to be wholly part of the solutions.
Graphic image, white text on black with yellow with company logos. A disability car emerges flies in the air.

Areas of expertise

Accessibility, Art, photography, Community, Disability Advocacy, Education, Equality, Gaming, History and Heritage, IT, Tech, Web design, Performing arts, Television, radio, podcast

Disability Power 100 profile information is self-submitted by the profile subject. Shaw Trust understands and respects that disability and impairment descriptors and language use varies from person to person. Shaw Trust assumes no responsibility or liability for any errors or discrepancies in the content of this, or any other, profile page.

Image credits: Ikuko Tsuchiya , School of Arts & Creative Industries, Teesside University, National Sculpture Factory and Create, Claire Keogh